Home      Robert Compton Pottery     Site Map
Web Site Content Copyright 2008  -  E-Mail  for permission to duplicate photos or text.
About the Potter Kilns Firing Techniques Vermont
Studio

On-Line Sales
 Gallery

Forming
Methods

Christine Homer Weaving

Links & Potters  Information Contact

On-Line Sales Gallery
Wood Fired Pottery

How to Order 
Item OLS-WF-33


Vase

 Natural Ash on Shoulder

  8" H  x  6" D

 Item: OLS-WF-33

 $ 180

 

How to Order
Shipping Code B

 

 

Wood Ash & Flashing

When wood firing, the pots literally sit in a river of flames.  Wood ash carried by the flames, has a profound effect on a pot’s surface.

On unglazed pottery, fly ash accumulation can produce a natural but rustic glaze.  The flames may also impart a blush of toasty color known as “flashing”.

Pottery that has been covered with a glaze prior to firing is enriched by the sodium which is a component of wood ash.  Fly ash may leave a freckled pattern on the surface of any glazed pot.

Wood firing effects are unpredictable.  Fly ash may settle on the shoulder and rims of pots.  At the end of a firing, fast flowing flames can make patterns by depositing ash on the vertical sides of pots.

 

Sodium & Wood Ash

This piece got a bath of sodium in the wood chamber,
when a small amount of salt
was added to the firebox

Wood Ash naturally contains a small about of sodium

 

Forms

Robert’s pottery focuses on form and process rather than decoration.  He feels a strong but simple form, offers as much to the eye as painted patterns.  This belief results in pieces which are thrown and then altered.
 His altered forms are finished in a manner which takes advantage of the firing process. Effects such as “flashing” from wood firing, or “fluxing” from salt glazing, produces patterns impossible to achieve with a paint brush 

 

 

 

 

Robert Compton Pottery
2662 North 116 Road, Bristol, Vermont 05443, U.S.A.
Phone: 802-453-3778
E-mail Robert & Christine

Music Copyright © 2003 Whisper Audio. All rights reserved.

02/16/08

Hit Counter