Click on photo to view
 video from
Made In Vermont Series
on WCAX TV
 
      Robert Compton Pottery    
                                 

Web Site Content Copyright 2012
E-Mail  for permission to duplicate photos or text
Home
The Pottery is open most days from
10-5
Call for daily schedule:

802-453-3778

Site Map
About the Potter Kilns Firing Techniques Vermont
Studio

On-Line Sales
 Gallery

Forming
Methods

Christine Homer Weaving

Links

Contact Potters
 B&B

On-Line Sales Gallery
Salt Glazed Pottery

How to Order
Item OLS-SG-90

Pilgrim
 Natural Surface Salted

 13" H  x  6" D

 Item: OLS-SG-90

$ 180

 

How to Order
Shipping Code D

 

 

Jomon

Jomon refers to an ancient style of Japanese pottery
which has a basket-like textured surface.  Robert's pieces are turned on the potter’s wheel,
then, while the clay is still soft, a small rope is rolled across the pots surface to create this texture.

During the firing, glaze pools in recessed areas, and creates wonderful variations in color.

Jomon pottery combines the casualness of loosely thrown vessels and textured pots with the best qualities of wood firing.

 

Salt Vapor Glazing

Salt Glazing is a process where pots are engulfed in a sea of sodium vapors and fire.  Salt is inserted into the kiln at 2000 degrees F., releasing sodium which acts as a flux on the silica in the pots.  This action creates a unique glaze.
 The entire process is called "vapor glazing".

 In Salt Glazing the side of a pot facing the source of fire, or
“windward side"
 receives more glazing action and has a pronounced glaze pattern which may have textured surface like an
“orange peel”.

 

Wad Marks

Sodium (salt glazing) and fly ash (wood firing) create glaze on the pots and on kiln shelves where the pots sit.  Wadding prevents pots in Wood Firing and Salt Glazing from fusing to the kiln shelves. 
 The size, shape and materials used for wadding,
are important aesthetic considerations for the potter.  In addition to preventing pots from fusing to shelves, wadding acts as a color resist and reveals flame flashing patterns.

 

Cord Cut Shell Pattern

The unusual texture on the underside of this pot is the result of the method Robert used to cut it free of the potters wheel. Utilizing a twisted cord (one he made for this process) he drags the cord under the freshly thrown pot as the wheel is slowing rotating. This both separates the pot from the wheel head and produces a vibrant pattern

 

 

 

Robert Compton Pottery
2662 North 116 Road, Bristol, Vermont 05443, U.S.A.
Phone: 802-453-3778
E-mail Robert & Christine